Marianna Fiorin Interview
Photo Kate Fesik
How did your interest in architecture and design begin?
I’ve been passionate about interior design since I was a child. My parents are millwork manufacturers in Italy, and I grew up seeing projects, samples and all related to the design process. I used to go to my father’s office and sit down at his desk, reading Architectural Digest and then sketching interiors (on his notebook. Not sure if he appreciated that!). I decided to study architecture to have a wider professional preparation and give myself the possibility to work on a larger scale, even if then I went back to my first love for interiors.
Talk to us about your inspirations. What do you need to consider when designing?
When I work on a project, I always consider the location and the material and color schemes that are present. I discuss with my clients and listen to their demands. If there is something specific they would like for their project, then I let all those aspects guide me in the creative journey.
What is the level of importance for traveling the world from your point of view as an architect and interior designer?
Traveling is important for everyone, and it is fundamental for an architect and a designer. Seeing the world and getting to know other designers’ visions, their use of materials and technical choices, is the biggest inspiration.
How do you select materials for your projects?
The first step is the creation of a board with the inspirational images that are very specific to each project. Starting from that I go deeply into the material selection which must be in line with this board. For example, I’m working on a presentation for a project in Miami, where I would like to use pastel colors and terrazzo, which are typical elements in Miami architectural design. So, the next step is that I will collect terrazzo samples and put them together with the paint samples, metals, colored glasses, etc. to have a full scheme for each room.
How would you describe your signature design?
I would say eclectic with a modern minimalistic base. I tend to start from a neutral base and then play with accent walls, unexpected details, precious materials, artworks, and light fixtures.
What are the challenges of working in the construction and design industry?
Coordination and timeline are often very challenging. It is hard when your results depend on others’ work. It is important to have the right team who work with care and passion.
Which of your work samples involved more technical expertise?
All projects require technical expertise, and it is hard to pick one over another. I would say the first one I worked on in Jerusalem was very challenging for the location, schedule, coordination between there, New York, Italy, and France. I had to coordinate so many people, from the contractor to the manufacturers, to the vendors, to the installers. It was a very tough experience which gave me a lot in terms of preparation for the projects that came afterwards.
How do you keep up with industry changes?
I read and keep myself informed. My brother Matteo works in our family’s company. He is very good at keeping up with technical progress and knows all the news about hardware, paint, appliances, and so on. I learn a lot from him.
What is the best way to reach functionality and beauty?
I like writing down all the points that I would like to reach. I search on Pinterest, Instagram, blogs, and design magazines. I also discuss ideas with my team to get their technical advice. Once I find interesting functional inspirations and ideas, I shape them and work on material and details to be in line with my aesthetic.
Photo Mikey Detemple with Ovadia Bros.
What is your dream creative project?
A hotel or a restaurant. When I started working on interior design projects, my first ones were hospitality projects. I would like to go back to those at some point. For residential I would like to do model apartments for high-end buildings in the city.
Editor: Lisa Portscher
